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Latest - Shakespeare's Rose Theatre

THE ROSE RE-OPENS AFTER 395 YEARS

--- Latest Stage in a Campaign to Rescue Remains of World Famous Elizabethan Theatre ---

The site of the Rose Theatre, the first Elizabethan theatre on London's Bankside where Shakespeare learned his craft, where he had his first plays performed and where he probably acted, is to be opened to the public in early April 1999 (exact date still to be confirmed). The Rose was also the venue for the plays of Shakespeare's famous contemporary, Christopher Marlowe.

A sound and light show, by the acclaimed theatre designer William Dudley, will tell the history of the Rose, and of Bankside. It marks the first stage of a massive fundraising campaign by the Rose Theatre Trust (RTT) to rescue the archaeological remains of the theatre from eventual decay and to secure them for future generations by carrying out a full-scale excavation.

The discovery of the theatre site in 1989 was greeted by a blaze of publicity. Its remains are of huge archaeological and cultural importance but have sadly been hidden for conservation reasons below a protective crust of sand and concrete and a pool of water for nearly 10 years. Now at last work has begun to present the site to the public.

The Rose was found by Museum of London archaeologists carrying out an exploratory dig on the site of a proposed office block on the south side of Southwark Bridge. They first moved onto the site on December 19, 1988 and the first trace of a foundation wall was discovered on January 31, 1989. As digging continued it revealed a site redolent of the history of the greatest period of English drama.

Built in 1587, the Rose is the only playhouse from this period to have been substantially excavated and it remains the only one where a full excavation is possible. An English Heritage report published recently, identifying for the first time the sites of all known Tudor theatres in London, confirms that none of the others are likely to become available for excavation in the foreseeable future.

Visitors to the Rose will be entering what Simon Hughes, local MP and Rose Theatre Trustee, has described as being uniquely the sound and the ground and the place and space of Shakespeare. Standing on a viewing platform above the pool, they will see a series of images projected over the surface of the water, just a few feet above the position of the original stage.

Shakespeare's Titus Andronicus received its first performance on this stage, as did his Henry VI Part I. Marlowe's Tamburlaine the Great, Doctor Faustus and The Jew of Malta were all performed at the Rose, as were works by many other famous playwrights of the day including Ben Jonson and Thomas Kyd. Until overtaken by later rivals, including the Globe, the Rose was central to the development of drama in this country.

Adding to its importance is the fact that more documentary evidence exists about the Rose than about any other theatre of the period. The Roses leading actor, Edward Alleyn, was also the stepson-in-law of its builder, Philip Henslowe. Later in life Alleyn founded Dulwich College and many of his and Henslowe's papers still survive there. During the few months when the theatres remains were exposed, scholars were able to piece together the physical evidence they provided with this documentation. In consequence our knowledge of the way the great Renaissance playhouses were designed and used has been greatly enlarged. A full excavation will enable scholarship to advance still further.

In 1989 The Times described it as the most celebrated archaeological site since Tutankhamen's tomb. Thousands of visitors queued for a glimpse of the poignant relics of a great theatre, while celebrated actors and theatrical scholars joined with the archaeologists, the developers, the local authority and the Government to find a way in which to Save the Rose. On May 13 and 14, an impromptu weekend programme of entertainments and speeches was held, culminating in a candlelight vigil.

The developers, Imry Merchant, agreed to alter their designs so that the remains could be preserved in the basement of the new building, now the headquarters of the Health and Safety Executive. They also generously donated 230,000 for the eventual redisplay of the remains, which, for their protection in the meantime, were reburied on June 16, 1989. They are being carefully monitored by English Heritage but cannot be left indefinitely in this state.

Sir Ian McKellen was one of the first of many famous actors who joined and still support the campaign to save the Rose. Dame Peggy Ashcroft and Lord Olivier were Founding Patrons of the Rose Theatre Trust. Sir Peter Hall and Janet Suzman are Patrons, Dame Judi Dench and James Fox are Trustees. Among the many others who have been involved are Timothy Dalton, Ralph Fiennes, Leslie Grantham, Dustin Hoffman, Tim Pigott-Smith, Vanessa Redgrave, Steven Spielberg and Patrick Stewart.

The Rose Theatre will join the growing range of cultural attractions associated with the regeneration of Bankside. Southwark Cathedral, the new Tate Gallery of Modern Art, the Millennium footbridge and the Globe Theatre are all nearby. The RTT has been working very closely with the Globe and joint tickets for the two sites will be made available to all visitors.

Reproduced by kind permission of

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