in the nineties Aunty Ann had all eight rooms wired into the same Sky station but since we didn’t know we spent each night of our weekend watching girls undress while bored men phoned in, telling them to climb between each other’s legs/and/or take a nipple into a yielding/heterosexual mouth, force a simple moan perfected in adolescence. We had our double bed with its chintz canopy, our newly pink hair rubbing onto the pillowcases, the crochet eiderdown heavy upon our satisfied bodies; she was sometimes jealous if I looked at the TV for too long. We’d discuss which parts in relation to the girls’ parts were normal or in the dull and balmy half-light of morning through semi-drawn blinds which parts looked beautiful
Two exciting announcements from the Centre! This Saturday 14 January, the Poetry Centre is privileged to present a reading by internationally-acclaimed critic and poet Rachel Blau DuPlessis and Forward Prize-shortlisted poet Nancy Campbell. The event will begin at 7pm at the Albion Beatnik Bookshop in Oxford, and all are welcome. £2 on the door. More details are available on our Facebook page.
We are also delighted to announce that celebrated poet and teacher Tamar Yoseloff will be returning to Brookes to lead a workshop entitled ‘Poetry and Identity: Creating Character’. The workshop will take place on Saturday 11 February from 10.30-4.30pm and is designed to coincide with an exhibition by acclaimed French photographer Claude Cahun running in Brookes’s Glass Tank Gallery. The cost is £45 (£40 for Brookes staff and students), and spaces are limited! Please visit our website for more details and to book a place.
‘My Girl’ is copyright © Melissa Lee-Houghton, 2016. It is reprinted from Sunshine (Penned in the Margins, 2016) by permission of Penned in the Margins.
Notes from Penned in the Margins:
Sunshine is the new collection from Next Generation Poet Melissa Lee-Houghton. A writer of startling confession, her poems inhabit the lonely hotel rooms, psych wards and deserted lanes of austerity Britain. Sunshine combines acute social observation with a dark, surreal humour born of first-hand experience. Abuse, addiction and mental health are all subject to Lee-Houghton’s poetic eye. But these are also poems of extravagance, hope and desire, that stake new ground for the Romantic lyric in an age of social media and internet porn. In this new book of poems, Melissa Lee-Houghton shines a light on human ecstasy and sadness with blinding precision. This book, which was shortlisted for the Costa Book Awards, was also selected as one of the best poetry books of 2016 by both the Guardianand the Poetry School, and includes ‘i am very precious’, shortlisted for the Forward Prize for Best Single Poem 2016.
You can find out more about the book on the Penned in the Margins website, where you can also read further poems from the collection.
MelissaLee-Houghton was announced as a Next Generation Poet in 2014. Her first and second collections are published by Penned in the Margins. BeautifulGirls was a Poetry Book Society Recommendation. Her poem ‘i am very precious’ was shortlisted for The Forward Prize for Best Single Poem. She has received a Northern Writers’ Award for her fiction. She lives in Blackburn, Lancashire.
You can hear Melissa read from her work on the Poetry Archive, read more about her work on her website and follow her on Twitter.
Penned in the Marginscreates publications and performances for people who are not afraid to take risks. The company believes in the power of language to challenge how we think, test new ideas and explore alternative stories. It operates across the arts, collaborating with writers, artists and creative partners using new platforms and technologies. Read more about its work on its website. You can also follow Penned in the Margins on Twitter and on Facebook.
Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.