They said beware eros, though many begin with madness. Learn to fall in love with dancing – this is ludic, the love you felt for skipping ropes or bikes. If eros and ludus combine you may suffer mania, the white blood of the moon that petrifies. Grow phillia, the love of football fans on terraces. Chant together. Fight with the same heart.
If you have children or a puppy you’ll know storgi, it rhymes with be. It sits at kitchen tables, magnetises crayon drawings to fridges. If you don’t have these, you may feel storgi from an old aunt, a mate. A lover might see the child hiding in you from a cowlick of grey that won’t be brushed straight. Then philautia, loving the self. Not so easy. For others, who dive into pools of themselves, too easy. Be your own best friend. When love moves into a house with a mortgage and enough space for the future, this is pragma. To stand in love comes after falling. Pray you’ll land on your feet.
Above all, agapè – when you forget who you are and take someone’s hand.
by Maria Taylor
Notes from Nine Arches Press:
Dressing for the Afterlife is a diamond-tough and tender second collection of poems from British Cypriot poet Maria Taylor, which explores love, life, and how we adapt to the passage of time. From the steely glamour of silent film-star goddesses to moonlit seasons and the ghosts of other possible, parallel lives, these poems shimmy and glimmer bittersweet with humour and brio, as Taylor conjures afresh a world where Joan Crawford feistily simmers and James Bond’s modern incarnation is mistaken for an illicit lover.
Consistently crisp and vivid, these poems examine motherhood, heritage and inheritance, finding stories woven in girlhood’s faltering dance-steps, the thrum of the sewing-machine at the end-days of the rag trade, or the fizz and bubble of a chip-shop fryer. And throughout, breaking through, is the sense of women finding their wings and taking flight - “and her wings, what wings she has” - as Taylor’s own poems soar and defiantly choose their own adventures.
You can read more about the collection and watch Maria read a selection of poems from it on the Nine Arches website. You can also watch the launch of the book on YouTube. In addition to Maria, the launch event featured readings from Mona Arshi and ignitionpress poet Kostya Tsolakis.
Maria Taylor is a British Cypriot poet, critic and reviewer who has been published in The Rialto, Magma and the TLS, among other publications. Her debut collection of poetry, Melanchrini, was shortlisted for the Michael Murphy Memorial Prize, and her poetry featured in the Penguin anthology The Poetry of Sex, edited by Sophie Hannah. She has a pamphlet, Instructions for Making Me (2016), and is also the creator of Poetry Bingo, a quirky set of cards which are part-game and part-concrete poem, both from HappenStance. She is also a keen runner and walker and lives in Leicestershire. Read more about Maria’s work on her website and follow her on Twitter.
Since its founding in 2008, Nine Arches Press has published poetry and short story collections (under the Hotwire imprint), as well as Under the Radar magazine. In 2010, two of our pamphlets were shortlisted for the Michael Marks Poetry Pamphlet prize and Mark Goodwin's book Shod won the 2011 East Midlands Book Award. In 2017, All My Mad Mothers by Jacqueline Saphra was shortlisted for the T.S. Eliot Poetry Prize. Our titles have also been shortlisted for the Michael Murphy Prize, and in 2016 David Clarke's debut poems, Arc, was longlisted for the Polari Prize. To date we have published over one hundred poetry publications. Read more about the press here and follow Nine Arches on Facebook, Twitter and Instagram.
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