Professor Elisabeth Jay

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

This volume includes her 1895 novel Old Mr Tredgold with editorial notes by Elisabeth Jay including a new introduction and headnote, proving key information about the book and its publication history.

'Coward! Sneak! May good men shun him, from henceforth! may his Queen refuse to receive him! You, an earl's daughter! Oh, Isabel! How utterly you have lost yourself!'

When the aristocratic Lady Isabel abandons her husband and children for her wicked seducer, more is at stake than moral retribution. Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate theatre-goers and cinema audiences well into the next century. 

This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors. 

Olive (Emilia Albertina) Schreiner, Mrs. Cronwright (also wrote as: Ralph Iron) (1855-1920) was a South African author, pacifist and political activist. In 1867 she moved to Cradock with her older brother. When her brother left Cradock, Olive chose to become a governess. She accepted posts as a governess at a number of farms, most notably the Fouchés who provided inspiration for certain aspects of The Story of an African Farm (1883), published under the pseudonym Ralph Iron, as well as a small collection of stories and allegories called Dream Life and Real Life: A Little African Story (1893).

Mrs. Gaskell's classic portrait of the English novelist is presented in the controversial first edition published in March 1857.

As an expatriate Scots woman, Mrs Margaret Oliphant (1828-97) started her prolific and accomplished writing career at three removes from the centre of Victorian literary life. Widowed early, and left with not only her own children, but two brothers, a nephew, and two nieces to support, she became keenly aware of the discrepancy between society's assumptions about woman's role and her own position as a female breadwinner in the male-dominated world of nineteenth-century publishing. Out of the contrast between her wryly ironic view of life and the conventions of Victorian fiction came the disconcerting questioning of accepted ideologies of the family, religious orthodoxy, and a woman's place in society that characterizes her writing.

Mrs. Oliphant: A Fiction to Herself contains an often surprising portrait of the professional Victorian woman writer. By choosing to interweave the life and the work of Mrs Oliphant, Elisabeth Jay's lucid and comprehensive study raises for consideration the way in which a particular woman writer perceived her own life, and the wider question of whether women writers have been well-served by the mythological structures of male biography.

Viewing Constance Maynard’s unwieldy life-writings within the tradition of spiritual autobiography reveals many of the irresolvable tensions with which she wrestled. Although she chose to see her public role as spearheading a crusade against modern rationalism, her inner life was as much concerned with the struggle to repudiate her parents’ ascetic Evangelical piety in favour of a more emotionally intense spirituality. Her conviction of conversion’s centrality fostered a sense of mission which bolstered a sense of her own exceptionality as a ‘prophet’ chosen by God. This in turn nourished her belief that she was justified in exempting herself from the roles and relationships conventionally assigned to her gender, by pursuing same-sex desire and sexless motherhood.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.