I received my BA from the University of East Anglia, followed by an MLitt and PhD from the University of St Andrews. My doctoral research sought to map the patrons and locations of altarpieces made by the Venetian workshop of Antonio Vivarini at the height of its success in the 1440s. My research sought to frame the altarpieces within the context of the sacred fabric of Venice and to consider them as a hub of physical, social and ritual relationships. Subsequent publications explore the role of visual display in the creation of various identities which were built on notions of Venetian sanctity and social status: for example, the physical and visual dimensions of episcopal charisma and of the identity of parish priests, the role of the physical in the propagation of the cult of saints, pilgrimage and the display of the sacred in the tombs of saints.
Alongside this engagement with Venetian culture of the 15th and 16th centuries my more recent research focuses on the careers of British artists in the first half of the 20th century. I am particularly interested in new opportunities for making a living as an artist in this period and the strategies adopted by them to negotiate a range of patrons, institutions, media, ways of making and of forming identities, in order to succeed.