This project had two distinct stages: stage one was the fostering of new poems from new poets across 2019 in each of our workshop strands. In stage two, we wanted to continue to draw a parallel trajectory to that experienced by Clare across 1819 and 1820, when his first book was published, from which the first poem ‘The Meeting’ was sung on the London stage.
Our project sought to promote a wide variety of critically-informed creative responses to Clare in his anniversary year, and to draw music, poetry and Clare together – peasant poet and opera music. In the summer of 2019 we began planning a musical show, and were awarded Arts Council England funds to do so. Our show was due to be performed in April 2020, but the pandemic meant that was not to be.
Our project produced three distinct outputs, all available below:
- a video recording of a panel discussion of ‘The Meeting’ (poem and songs) featuring musical performances and readings by Toby Jones.
- a book of new poems responding to Clare, presented alongside an essay by composer Julian Philips and an extract of our show ‘The Fallen Elm’ by Stephen Plaice.
- an audio recording of musical compositions by Julian Philips, in dialogue with new poem and prose readings by Toby Jones. Julian’s ‘creative transcriptions’ are rewritings of tunes from Clare’s own folksong notebooks.
We collected and edited all the poems of the workshop participants, and of their tutors – along with extracts from our pandemic-delayed stage show by composer Julian Philips and dramatist Stephen Plaice – and published them in the freely-available book, below. Paperback copies are available to buy from the John Clare Society.
Edited by Simon Kövesi
Poetry editors: Sarah Corbett, John Gallas, Karen McCarthy Woolf, Clare Shaw
This book is a testament to the continuing power of the poet John Clare (1793–1864) to inspire creativity in other artists. It is the product of a project launched at Oxford Brookes University in 2019, aimed at getting Clare to places and people he’d not quite reached before, to explore how and why he remains such an inspiration to creative artists of all kinds, and to celebrate 200 years ince his first book Poems Descriptive of Rural Life and Scenery was published. Celebrated poets led John Clare poetry workshops in public libraries in four corners of England – Bradford, Manchester, London, and Peterborough – and the poems collected here are the product of those workshops. Funded by Arts Council England, the John Clare Society and Oxford Brookes University, our project and this book is a meeting of poems and poets, poems and song, poems, and performance.
The third and final output of this project is a songbook of new musical compositions by Julian Philips, set in dialogue with new poetry and prose readings of John Clare by Toby Jones. More information on access to this collection will be posted here soon.