Creative Writing

MA or PGDip or PGCert

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Start dates: September 2026

Full time: PGCert: 4 months, PGDip: 8 months, MA: 12 months

Location: Headington

School(s): School of Education, Humanities and Languages

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Overview

Whether you’re just beginning your writing journey or looking to take your craft to the next level, our Creative Writing MA is an inclusive programme that welcomes students from all backgrounds and experiences. In a city celebrated for its literary heritage and vibrant contemporary scene, you’ll join an inclusive, supportive creative community that inspires writers at every stage.

You’ll work closely with experienced academics and acclaimed authors from a diverse range of backgrounds to refine your voice, broaden your technical skills, and explore a range of genres - from prose fiction and nonfiction, to poetry and scriptwriting for stage and screen. You’ll engage with current and past writers, including through Oxford Brookes Poetry Centre, and gain insights into the publishing world with industry-facing vocational modules. 

If your goal is to pursue a new career in writing, media, or publishing and enhance your professional skills, this course will help you unlock your full creative potential and develop your writing to a professional, publishable standard.

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Why Oxford Brookes University?

  • Expert academics

    Our teaching staff are prize-winning writers who will pass on their experience through seminars and workshops.

  • A thriving, literary city
    Oxford - city of Tolkien, Carroll, and R.F. Kuang. Study in the iconic Bodleian Library and join a vibrant community of writers, journalists, and creatives.
  • Collaborative working

    Small groups offer an inclusive environment that builds trust with peers and tutors and strengthens your confidence as a writer.

  • Industry connections

    Pitch your work to literary agents. Any graduating student who achieves a distinction is guaranteed to have their work read by a publisher.

  • Flexible awards

    You’ll learn a lot about yourself and you may find that the full MA isn’t right for you. You can choose to finish with a PGDip or PGCert.

Course details

Course structure

You might be considering this course to refine your craft or to complete a writing project in a structured, creative environment. Whatever your creative writing aims, we want to help you.

The Writing Studio core module will take you out of your comfort zone and get you thinking critically about your work and your practice. In your optional modules, you’ll learn about the techniques successful writers use to achieve their aims. You’ll also learn about poetry and voice, explore different narratives forms,and delve into the ever-changing world of publishing.

For your final project, you’ll complete an extended piece of your own creative writing, accompanied by a self-evaluating critical commentary.

You’ll join a supportive community and benefit from insightful masterclasses run by our group of creative writing fellows. They’ll also critique your work, helping you increase your chances of getting published if that’s your aim.

Creative writing students discussing their work

Learning and teaching

You’ll learn creative writing skills through reading, writing and discussing. You’ll learn to create, and to adapt.

You’ll experience a variety of teaching and learning methods that include:

  • Collaborative seminars
  • Presentations and shared readings
  • Group workshops
  • Visiting speakers
  • 1-1 supervision
  • Research
  • Writing and rewriting.

You’ll work with Creative Writing Fellows and guest speakers who each lead a class every semester. Past examples include:

  • Patience Agbabi FRSL, award-winning poet, international performance poet, and children's author, most recently The Infinite and The Time-Thief
  • Sally Bayley, fiction and nonfiction author, most recently Girl With Dove and No Boys Play Here
  • Steven Hall, a Granta Best Young British Novelist 2013, author of internationally-acclaimed The Raw Shark Texts, and Maxwell's Demon
  • Simon Mason, author of Moon Pie (Guardian Children's Fiction Prize - shortlisted) and YA series Garvie Smith, and leading children's fiction editor

Assessment

You’ll constantly share and discuss your work with your tutors and your peers. This regular feedback will strengthen your self-assessment skills - helping you develop your craft as a writer.

You’ll be formally assessed via:

  • Portfolios of your creative writing, with accompanying critical essays
  • A final Writing Project in your chosen form and genre.
     

Study modules

The modules listed below are for the master's award.

All students take the core compulsory module The Writing Studio. In addition:

MA Students will also take the core compulsory module The Writing Project, and you can choose to take either;

  • Two 40 credit creative writing modules
  • One 40 credit creative writing module and two 20 credit publishing modules.

PGCert students can choose to take either;

  • Two 40 credit creative writing modules
  • One 40 credit creative writing module and two 20 credit publishing modules.

PGDip students will take one 40 credit creative writing module.

Taught modules

Compulsory modules

  • The Writing Studio (40 credits)

    This is the core module taken by all our students at the beginning of the MA. Through workshops led by our staff and Creative Writing Fellows, it’s designed to lead you out of your comfort zone and get you writing in ways you might never have contemplated. In our virtual space – the studio – you are free to think, write and depart in new directions. It demands a readiness to go out of the “comfort zone” and ask real questions of your own writing.

Optional modules

  • Bringing a Story to Life (40 credits)

    You’ll learn about the techniques – the “tricks of the trade”, in a completely positive sense – which highly successful authors use to achieve their aims. You’ll explore how narratives and stories are constructed through elements like plotting, pace, perspective and structure. You’ll be aiming to identify these writerly techniques, to describe them and - most importantly of all – to incorporate them in your own writing.

    We’ll look at:

    • characterisation through dialogue
    • unspoken stories
    • the unreliable narrator
    • omniscient narrators
    • the slow reveal.
  • Trade Publishing: Shaping and Selling Stories (20 credits) (20 credits)

    Fiction and non-fiction publishing are perennially popular business models within the publishing world, and the globalisation and digitisation of the consumer book landscape have only enhanced one of the most dynamic and creative sectors of the industry. Within this module, you will explore the range and depth of pitfalls and possibilities intrinsic to this ever-changing aspect of publishing. You will gain an understanding of the importance of verticals in consumer publishing and as well as the elasticity of the role of the author.
  • Writing Poetry Now (40 credits)

    What is poetry? What is it for, and what can it do that prose can’t? You’ll focus on contemporary poetry in terms of its functions, as well as its form. While the emphasis will be on your own writing, we’ll also study the poetry of both contemporary and traditional writers from Britain and further afield, who work or have worked in a variety of forms and using a range of techniques.

    You’ll also look at topics like:

    • poetry and place
    • narrative poetry
    • voice
    • confession
    • experiments in form.
  • Writing Voice (40 credits)

    You’ll explore methods for writing creatively in relation to voice. We’ll discuss and analyse works by contemporary authors in a range of forms (poems, novels, short stories), to inspire you to explore different voices in your own writing.

    We’ll investigate:

    • how writers create distinctive voices to control and modulate tone and register in a text
    • the interplay of multiple voices (author, narrators, characters)
    • interrelated notions of identity, authenticity, social construction, style and aesthetics.

    Topics will include:

    • Monologue and Dialogue
    • Unreliable Voices
    • Polyphony
    • Children’s Voices
    • Dialect
    • Historicised voices.
       
  • Independent Study (40 credits)

    This is a great chance to design your own course of study, allowing you to explore an area of writing that fascinates you. You’ll start by producing a detailed project plan, to be agreed with your supervisor and module leader. You’ll develop high-level research skills, manage your own schedule and produce well-structured, articulate work at master’s level. Examples of independent studies have included: an extended poem developed from the literature and art of ancient Persia, and a pacy novel for young adults set in a militaristic dystopia.

  • Craft of Storytelling (20 credits)

    Crafting and telling a story are central to all forms of publishing, and increasingly key in all industries worldwide. This module will build on knowledge from Semester One’s compulsory modules in order to examine and practise the techniques involved in writing and shaping narratives across all forms of fiction and non-fiction, as well as for promotional and brand purposes. Through a range of taught presentations, workshops, and guest lectures, you will learn to identify and implement methods which optimise the potential of narratives across a range of genres and platforms, and for multiple purposes.

  • Children's and Young Adult Publishing (20 credits)

    This module explores the development of the market sector and the current shape and business practices of publishing for children and young adults. Topics include picture books, co-editions and translatability; the sector's links to other leisure industries, merchandising and content reuse; editing and censorship; age ranging and gatekeeping; literacy and reading campaigns; and promotion.

Final project

Compulsory modules

  • The Writing Project (60 credits)

    This final core module of the MA is where you bring together everything you’ve learned to create an extended piece of original writing in the genre of your choice. It could be fiction, poetry, creative nonfiction or scriptwriting. Alongside your creative work, you’ll write a reflective commentary that demonstrates your understanding of your craft and your growth as a writer.

    You’ll be guided by your supervisor and supported through group sessions and workshops with our Creative Writing Fellows. Together, you’ll refine your ideas, strengthen your technique, and prepare your work for submission or even publication.

     

Please note: As our courses are reviewed regularly as part of our quality assurance framework, the modules you can choose from may vary from those shown here. The structure of the course may also mean some modules are not available to you.

Research

Our commitment to research-led teaching means that all our teaching staff are recognised experts in their field. They contribute to the canon of published work in their specialist fields influencing debate and discussion. And they value the opportunity to share their ideas with students through their teaching.

We also home to the Oxford Brookes Poetry Centre, which:

  • creates a space for discussion and research
  • promotes connections between poets, academics, and readers of poetry in the local community
  • sponsors readings by poets, such as Simon Armitage, and a regular seminar series.

The Oxford International Centre for Publishing (OICP) is one of the leading centres for publishing education in the world. We focus on areas such as:

  • book consumption and the life cycle of books
  • book trade and publishing history (especially 18th-21st centuries)
  • museum publishing
  • serials publications
  • pedagogy and publishing education
  • the future of the industry.
Researcher in the library

Careers

At Oxford Brookes, we’ve had great success in helping talented writers find their voice – but we’re not a factory for producing writers. Our MA Creative Writing equips you with the critical thinking, creativity, and research skills that employers value across many industries. Graduates have gone on to roles with the UK Civil Service, Ralph Trustees Ltd, Hestia Charity, and the National Trust.

Many students use the course to develop their writing alongside existing careers, while others take their first steps toward publication or a future in the creative industries. You’ll benefit from close links with the Oxford International Centre for Publishing Studies, as well as opportunities to meet literary agents, editors, and publishers in a city with an international reputation for publishing.

Our graduates thrive in fields such as publishing, media and journalism, PR, marketing, education, research, and the charity sector - as well as becoming published authors in their own right.

Student profiles

Our Staff

Dr Morag Joss

Morag Joss is the award-winning author of the Sara Selkirk novels, Half Broken Things, Puccini’s Ghosts, The Night Following, Among the Missing (Across the Bridge) and Our Picnics in the Sun. She has also written for television, and writes short stories for print and broadcast. Her prizes and shortlistings include the CWA Silver Dagger, the USA Edgar Award for best novel, and a Heinrich Böll residency on the island of Achill, Ireland.

Read more about Morag

Entry requirements

International qualifications and equivalences

How to apply

Application process

Tuition fees

Please see the fees note
2026 / 27
Home (UK) full time
£9,950 (Masters); £8,950 (Diploma); £4,975 (Certificate)

International full time
£18,250

Questions about fees?

Contact Student Finance on:

Tuition fees

2026 / 27
Home (UK) full time
£9,950 (Masters); £8,950 (Diploma); £4,975 (Certificate)

International full time
£18,250

Questions about fees?

Contact Student Finance on:

+44 (0)1865 534400

financefees@brookes.ac.uk

Fees quoted are for the first year only. If you are studying a course that lasts longer than one year, your fees will increase each year.

The following factors will be taken into account by the University when it is setting the annual fees: inflationary measures such as the retail price indices, projected increases in University costs, changes in the level of funding received from Government sources, admissions statistics and access considerations including the availability of student support.

How and when to pay

Tuition fee instalments for the semester are due by the Monday of week 1 of each semester. Students are not liable for full fees for that semester if they leave before week 4. If the leaving date is after week 4, full fees for the semester are payable.

  • For information on payment methods please see our Make a Payment page.
  • For information about refunds please visit our Refund policy page

Additional costs

Please be aware that some courses will involve some additional costs that are not covered by your fees. Specific additional costs for this course are detailed below.

Funding your studies

Financial support and scholarships

Featured funding opportunities available for this course.

The Faculty of Humanities and Social Sciences believes strongly in the importance of making a difference to the world of our students, and in the ability and potential of our students to make a difference in the world. The Dean's Scholarship is one small way in which we make that belief tangible.

International students can apply for our International Students Scholarship. Please click on the link below to find out more.

All financial support and scholarships

View all funding opportunities for this course

Programme changes:
On rare occasions we may need to make changes to our course programmes after they have been published on the website. For more information, please visit our changes to programmes page.