Poetry Centre

  • Ignition Press
  • Pamphlets

    There's No Such Thing

    There’s No Such Thing

    Lily Blacksell

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    This debut pamphlet introduces a poet with a genuine enthusiasm for their reader. There is no pigeonholing these poems; they are amusing and thoughtful in equal measure. Reading Lily Blacksell’s poetry is like watching a tragic movie, going to a comedy show and listening to an album of greatest hits on vinyl, all at the same time.

    Find out more about Lily »

    Lily Blacksell’s poems are clever, urgent and deeply felt. That’s all I ever ask for from poetry, my own as well as others, and it’s a lot. Her work is as keenly attuned to the imagination with an intuition of the askew, as it is to our capacity for suffering and for joy. Poetry with as much soul as wit. In this form where a lot leaves you completely cold, this belongs firmly in the three percent I’d die for.

    Luke Kennard

    Listen to Lily Blacksell reading 'Brook'

    A Hurry of English

    A Hurry of English

    Mary Jean Chan

    Please note that Mary Jean's pamphlet is now sold out.

    Poetry Book Society Summer Pamphlet Choice, 2018

    The sense of movement in Mary Jean Chan’s poetry is both external and internal. In this deft and assured debut pamphlet she strives to forge new relationships with her parents and country of origin, while learning to live out the beliefs and desires of her own emerging self. These poems couple rawness of emotion with crystalline language, and are a significant addition to the worlds of both poetry and queer writing in the UK.

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    Sparkling and vulnerable, A Hurry of English marks the arrival of an essential new voice. Navigating tangled histories at once personal and postcolonial, Mary Jean Chan sounds fresh notes “in a language [she] never chose”. These poems bring to life a story of queer awakening, transit between cultures, and a mother’s terrifying love shaped by the legacy of political turmoil in twentieth-century China. Hovering between tongues, what Chan’s work offers us is “never an apology / but always / an act of faith”.

    Sarah Howe

    Listen to Mary Jean Chan reading 'Practice'



    Patrick James Errington

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    Patrick James Errington’s atmospheric debut comes to grips with the vastness of human experience – its memories and unique physical wilderness. The poems are the gleaning of the field of childhood, a slow gathering of what remains after loss. His dexterous use of image takes the reader to a cold yet often welcoming landscape, providing shelter with his words and using our inheritance of language as a journey, where on arrival another sense of mystery begins.

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    No doubt about it – not only is Patrick James Errington a real find, the scope of his imagination, combined with psychological integrity and linguistic rigour, mark him out as a poet I’ll return to again and again. He has the strength of will to put the poem first: no stock effects, just a highly tuned poetic mind interrogating its world for the mystery, the roots of pain and the wonder.

    John Burnside

    Listen to Patrick James Errington reading 'Still Life with Approaching Crow'

    Shadow Dogs - Natalie Whittaker

    Shadow Dogs

    Natalie Whittaker

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    Shadow Dogs is a collection of concise, haunting poems of suburban tales half-told, whose visceral and disturbing images are conveyed with unexpected intrigue. This is an absorbing debut delivered with acute, tender emotion from a writer who genuinely cares for their craft. These twenty-one poems herald a poet coming of age.

    Find out more about Natalie »

    Natalie Whittaker has a precise, hard-edged contemporary eye and an unusual, striking sensibility. This is the world of the present with all its incongruities – ring-necked parakeets in South East London or TV game shows watched in hospital waiting rooms. All this is presented alongside a vibrant and unapologetic confessionalism. There is so much to admire in this collection, the reader will surely return repeatedly to the poems to find more to enthral them. The current poetry scene has gained a fresh, exciting voice.

    John Stammers

    Listen to Natalie Whittaker reading '96'

    Small Inheritances - Belinda Zhawi

    Small Inheritances

    Belinda Zhawi

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    Small Inheritances reflects the dialogue between two cultures and geographies, on mistakes often made and the push and pull of ancestry and migration. The poems, born from raw suburban reality, are set free with such strong imagery, coupled with a direct lyrical energy, that you can almost hear the words on the page.

    Find out more about Belinda »

    Belinda Zhawi’s work is characterised by a global sensibility, attuned to several approaches to making a poem. Small Inheritances is a masterclass in what a poem is and can be for in the present moment. There is protest in these pages, but also a glimpse of what healing might look like, whether in a moment of intimacy or in different kinds of intoxication. There are intergenerational kinships and echoes in these poems that illuminate a poetics that so many of us have been crying out for.

    Kayo Chingonyi

    Listen to Belinda Zhawi reading 'rye lane (foul ecstasy)'

    Naming Bones - Joanna Ingham

    Naming Bones

    Joanna Ingham

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    In Naming Bones, her engrossing debut pamphlet, Joanna Ingham writes of the things it is difficult to say – about bodies, love, motherhood, the past. Drawing on nature, and a tangible sense of place, she explores the relationships and moments that make us what we are. These are poems of the tongue and the heart, of finding voice and speaking revealingly about what we think we shouldn’t feel.

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    Joanna Ingham’s poems are robust and memorable. Here love and intimacy are portrayed with recognisable tenderness – but these are not poems that shy away from human darknesses or difficulties; they are also unafraid of their own vulnerability. This pamphlet is the black box of emotional memory; within it there are feelings that will stay with the reader, powerfully realised, written in language that dazzles and enlivens.

    Suzannah Evans

    Listen to Joanna reading 'Doing the heart in Lower Five'

    Kismet - Jennifer Lee Tsai


    Jennifer Lee Tsai

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    Kismet opens with the poet as ‘the only Oriental at a primary school in Birkenhead’, a state of isolation – and rupturing of identity – intensified by the unfolding of both personal and ancestral traumas. But this is ultimately a work of hope and renewal. Jennifer Lee Tsai shows us how taking control of our own stories can create a profound sense of connection to life that transcends individual suffering.

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    Jennifer Lee-Tsai’s poetry gives us a crystalline language for loss, silence and memory, where ‘breaking stabilities… like phonetic entities’ make complex the lyric fractals of familial love, violence and desire. The tremendous force of her linguistic authority here reclaims fragments of narratives – of otherness, exile and shame – to offer a self in movement, a voice fired by discovery.

    Sandeep Parmar

    Listen to Jennifer reading 'Love Token'

    The Bullshit Cosmos - Sarah Shapiro

    The Bullshit Cosmos

    Sarah Shapiro

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    The Bullshit Cosmos is a highly distinctive pamphlet that celebrates triumph over adversity, defiance against the system, success over predicted failure. The poems explore the gap between those who read with ease and those who struggle to read. Honestly written, they provide a starkly refreshing approach to our language in a poetry that is provocative and challenging, compassionate and engaging.

    Find out more about Sarah »

    Sarah Shapiro’s formally inventive poems give readers insight into new ways of learning and hearing words. The poems look back on a difficult education, ‘seven times teachers said to my face you’re stupid,’ and from this the poet ‘would resist the bullshit cosmos: know unfair.’ This generous collection gives fresh attention to reading and text while conveying a contagious, direct joy that revels in the language around us.

    Jill McDonough

    Listen to Sarah reading 'When I Turn Thirty, I Have An Epiphany'

    City Poems - Mia Kang cover

    City Poems

    Mia Kang

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    City Poems is in parts intense, abstract and irreverent but above all a strikingly accomplished debut. Mia Kang’s poems range from the occasional to the research-based, with an interest in visuality, intimacy and failure. There is an absorbing thread throughout relating to the actuality (or not) of the creation of the poems of the title. The detail is such that it is impossible not to become engrossed within these exceptional poems.

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    How do we write to someone? How do we write towards a place from inside another place? In City Poems, Mia Kang engages a tradition of queer feminist modes of address between friends, leaving us with poems that feel like intimate conversations as well as annotations of being. For the poet writing inside the institutional whiteness, architectures, and borders of New Haven, New York City (and the ‘dearest counterpart’ contained within it) becomes a complicated and jewel-like source of escape, pain, and thrill—almost a lover. These gorgeous and sharp-edged poems reckon with ‘orientation’ much like a phenomenologist might, richly intoning words like here and there amidst a landscape of erotic, aesthetic, and political tethers. So that when we ask: ‘Which part/ is the libido/ and which part/ the city, which part the poem/ and which part the lack?” we might receive the answer, “Not to make/ such objects otherwise/ but in service of making/ this plane mean,/ my meaning plain./ We walked around./ We benched ourselves/ while the infrastructure/ threatened lightly.’

    Emily Skillings

    Listen to Mia reading 'New Haven, August 8, 2017'

    Hush - Majella Kelly cover


    Majella Kelly

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    Fearless and deeply tender, Majella Kelly’s poetry is vital and distinctive. Her debut pamphlet broaches profound and abiding themes for our times, always with great assurance and stylistic flair – and often with humour. She leads us, in sometimes unexpected ways, from the darkest of injustices to a place of tranquillity: hard-won and utterly resplendent.

    Find out more about Majella »

    Majella Kelly’s work ... has a ruminative and enigmatic quality; she is a poet of the sensed and the sensual. Ritual, cultural tradition, and the subconscious bring powerful energies to lines and sentences that flirt with the everyday while connecting to deeper and occasionally darker histories.

    Simon Armitage

    Listen to Majella reading 'Hymn'

    Hinge - Alycia Pirmohamed cover


    Alycia Pirmohamed

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    Poetry Book Society Pamphlet Choice, Summer 2020

    This imaginative pamphlet carefully guides the reader on their own distinctive journey to those other-lands created by migration. Alycia Pirmohamed’s poetry, often situated in the surreal, uses the metaphor of landscape and the natural world to reflect on wider themes of belonging, cultural dissonance, and homeland. There is a quiet urgency in these poems, engaging with the experience of both the loss, and the discovery of, language and place.

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    The poems in Hinge offer a new map for a land where both heartbreak and delight reside, even if, as the speaker notes, ‘planting my palms together has never felt like blossoming up the side of a mountain...’ In the elegant build and stretchof Pirmohamed’s poetry, we are given exquisite possibilities for language and a green longing, all while she manages to stack lyricism and light in sonically surprising ways.

    Aimee Nezhukumatathil

    Listen to Alycia reading 'Endearments'